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Mindhunter : Is Bill's Son a Murderer in the Making?

Holt McCallany, Mindhunter | Photo Credits: Patrick Harbron/Netflix

Netflix's Mindhunter does a fascinating job of delving into the minds of famous murderers, trying to illuminate if not explain how and why they turned into the killers that haunt our nightmares. In Season 2, Holden (Jonathan Groff) and Bill (Holt McCallany) took on a whole host of real-life murderers, but the one storyline that had us on the edge of our seat had nothing to do with true crime.

Throughout the first season, we got tiny clues here and there that something was off about Bill's adopted son, Brian (Zachary Scott Ross). He refused to talk or socialize and he stole gruesome photos of murders from Bill's briefcase and hid them in his room. Those incidents were enough to raise a red flag with viewers, especially considering how closely aligned the behaviors were with the killers Bill and Holden were interviewing. In Season 2, the suspicions were raised even higher after a local toddler was found dead in the house Bill's wife was a realtor for. To make matters worse, his body was stretched out in a cross-like pose, and we'd seen Brian fixated on the image of Jesus on the cross in an earlier episode.

The question the audience, and ultimately Bill, had to ask was had Brian killed this little boy?

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"Basically what's happening is Bill is being pulled in two different directions," McCallany told TV Guide. "There's a crisis in [his] family that [he] has to deal with, but [he] also has a new boss and a new assignment and new responsibilities at work. So it's that tension that provides much of the conflict for Bill over the course of the season. But yeah, we adopted a son that has psychological and emotional problems and Bill is very much that kind of '70s style father, who isn't really sure how to deal with it."

Ultimately it's revealed that a group of local boys accidentally killed the toddler, and though Brian didn't directly commit the murder, he was present when it happened and played a part in staging the body. That ultimately launches Brian into some social services mandated therapy, but the suspicion of his mental state still hangs heavily over the second season. Having spent so much time with violent criminals, Bill understands better than anyone how these kind of murderers are a product of genetic and environmental circumstances, and Brian appears to be following that dangerous path. His pre-existing psychological problems coupled with his exposure to this accidental death early in life, he could very well grow up to be the kind of person Bill has been interviewing in prison.

For now, Brian seems cleared of most, if not all suspicion, but if Mindhunter continues on to Season 3, we'll be interested to see how Bill and Brian's story continues to develop.

Mindhunter is currently streaming on Netflix.



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Marcel, the Friends Monkey, Is Still A Bigger Star than Joey Tribbiani

Friends | Photo Credits: NBC

The monkey's still a star!

For those Friends fans who were rooting for young Marcel to keep climbing in show business, there's good news. The monkey who portrayed Ross' (David Schwimmer) capuchin sidekick is coming back to the small screen -- for a little while, at least.

As detailed by The Hollywood Reporter, Katie, the monkey who portrayed Marcel in Friends, was hired to star in the pilot for FX's upcoming sci-fi series Y: The Last Man. That adaptation of Brian K. Vaughn's comic series centers on a man named Yorick Brown (Barry Keoghan) who, in addition to his monkey friend, is the last male alive. Which means, yes, Katie is portraying a male monkey again, just like the good old days when she used to terrorize the residents of Apartment 20 with her impressive remote control skills.

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FX CEO John Landgraf, who previously worked at NBC during Friends' run, quipped about the casting, "I recognize Jennifer Aniston, I recognize Courteney Cox and I recognize that monkey! There's nothing like a really experienced actor who knows how to hit their marks!" THR has since confirmed that it's indeed Katie who'll appear in the series' upcoming pilot, although it's not clear if CGI might replace her in further episodes.

Katie, who is now in her 20s, might've gotten praise from Landgraf, but there was at least one Friends star who didn't enjoy working with her quite as much.

According to Matt LeBlanc, it was David Schwimmer who wasn't fond of his scenes playing a simian dad. LeBlanc told Jimmy Kimmel earlier this year, "He's the one who had to work with it the most so he was like, 'Again, with the monkey?'" According to him, Katie was something of a prankster on set during her scenes. "The monkey just goes whoosh, whoosh, whoosh, right to the ceiling and just disappears into the blackness of the stage."

Somewhere, you just know Joey Tribbiani is seething with jealousy over this news. Of all the fellow actors to show him up throughout the show, perhaps Marcel's blockbuster feats were the toughest for him to take. As for Katie, let's all raise a toast with some Monkeyshine Beer for her continued success.

Y: The Last Man will debut in 2020. Friends is currently available for streaming but will soon move to HBOMax.



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How Michael Kelly Was Able to Finally Say Goodbye to House of Cards' Doug Stamper

Michael Kelly, House of Cards | Photo Credits: David Giesbrecht/Netflix

TV Guide is shining a spotlight on select 2019 Emmy nominees to showcase the best performances and TV work of the year. To read more profiles and check out our complete Emmys coverage, please go here.

The final season of House of Cards almost didn't happen after Netflix fired series star and executive producer Kevin Spacey after a bevy of sexual misconduct allegations. However, Robin Wright stepped in and convinced Netflix to give the show a final bow. The final season of the political thriller centered on Claire Underwood's (Wright) term as president and a tango between her and the Underwood's right-hand man Doug Stamper (Michael Kelly) over Frank's (Spacey) legacy.

The final episodes lead to Emmy nominations for both Wright and Kelly in the Lead Actress in a Drama and Supporting Actor in a Drama categories respectively. For Kelly, the final season was about the slow breakdown of a man he played for the better part of a decade. Stamper was a man with lost purpose as the season started with Frank's death. After years of serving Frank Underwood faithfully, and Kelly scene sparring with Spacey, the final season was a new frontier for the character and the actor playing him.

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The series ended with a final stand-off between Claire and Stamper over whether Frank's legacy should be protected or railroaded for the sake of an Underwood staying in the Oval Office. The scene ended with Stamper bleeding out in the highest office in the land, ensuring that it would be the last scene Kelly ever did for the show he says changed his life.

TV Guide spoke with Kelly about his tenure as Doug Stamper, the challenges of a Spacey-less season, and what it meant to make it to the very end of the show.

After playing Doug Stamper for the better part of a decade, what was it like having to say goodbye to him?
Michael Kelly: [It was] one of the hardest things that I've ever had to do...Robin and I both asked to film that final scene on the final day. And so saying goodbye to him was also saying goodbye to the crew and my family there. And you know, that. It was kind of everything all at once and together and it was really tough. You know, you get to know these people so well. Your kids grow up together. My son was born when we started the show and he's seven. So many of the crew members' kids are the same, and to say goodbye to everything, everything as you knew for the last six years, it was really tough. It was really tough.

What did it mean to you to find out that the end of the series was going to be such a big moment for this character?
Kelly: I was scared to death. Every year I always say the writers find a way to scare me, thrill me, challenge me. Certainly that final scene, sort of trying to wrap up the series in three and a half, four pages at the end there, was an incredible challenge in the highs and the lows that he goes through all within that three to four minutes, right? Going in thinking he's going to have one thing and walking out, or not walking out, but being with something completely different. It was a great challenge to go through the emotional roller coaster that was in that final scene.

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Up until this last season, almost everything having to do with Stamper was tied to Frank. How was it different playing him without having Kevin Spacey there specifically to work off of, even though Frank's presence was still in the season?
Kelly: Obviously it was very different without him there. What you're accustomed to, your scene partner, other than Rachel Brosnahan, it was Kevin. To all of a sudden have your scene partner removed and it made for an even greater challenge. I don't mean that in [a] disrespectful, way at all...I'm grateful that my scene partner, became Robin Wright. When you go from one great actor to another great actor, it made the transition easier. That's probably the best way to put it.

Doug was clearly unmoored by Frank's death throughout this season. How did you approach his unraveling as we went through this final arc with him?
Kelly: I think that was one of the less challenging aspects of it because Doug's entire adult career has been to serve that man. So even in death, he continued to serve that man. It's because he believed in everything that they were doing. He always believed they were doing the right thing for the good of the people. You know, the old saying bad for the greater good. No one believed that more than Doug, and obviously he was willing to kill someone he loved to continue the good in his mind, you know? So for him to continue to serve that purpose, to protect that legacy, it was a challenge, but at the same time, it's the only thing that made sense for Doug Stamper because his entire being was building that legacy. Now it's all going to go away and he couldn't handle that.

Why is it that you and Robin wanted to save the death scene to be the very last thing that you shot?
Kelly: God, I mean, so many reasons. In retrospect, I bet both of us would say, "I wish we'd have done it in the beginning because we might've got an extra day to do it." But we didn't. We wanted it to be the end because it is the end. And you know, the Oval Office got really messy that night. And it was, you know, I wanted to be sure to be there on the last day. She wanted to be sure to be there with the crew on the last day. And it was really important for both of us to say goodbye together. We figured what better way to do it than with that scene -- finish the show with the ending of the show.

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I've heard that it's every actor's dream to have a great death scene. Is that true for you?
Kelly: Yeah. I've had quite a few death scenes I feel like. Playing that type of character, you end up dead more often than not. I was just incredibly grateful to last to the very end of the show. Going back to Season 1, I would read to the end of every single script, and be like, "Whew, I made it." We lost a lot of people on that show. To make it to the very end and then to actually go at the very end, it was really satisfying because there was talk for a while there about a Doug Stamper spin-off and people asked about it all the time and "Is Doug going to be president? Blah, blah, blah, blah." And I'm just like, "You know what? It feels really good to have this finality. This true ending for me, for Stamper."...To make it to the end felt incredible, and then to truly end it with finality felt even better.

What has this experience as a whole of playing Doug Stamper meant to you?
Kelly: The world. I mean, I can honestly say my entire life changed because of this incredible gift that I was given as an actor to play this guy. The gift of playing that character, you know. There's a million of us out there and I happened to be the lucky one who got that role and it is truly meant the world to me. It changed my career. It changed everything. I'll forever be grateful for it.

House of Cards is now streaming on Netflix.



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